Thứ Sáu, 25 tháng 1, 2019

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Larry Hendricks, a teacher of English, aged twenty-seven, lived on the top floor of the Teacherage. He wanted to write, but his apartment was not the ideal lair for a would-be author. It was smaller than the Kidwells’, and, moreover, he shared it with a wife, three active children, and a perpetually functioning television set. (“It’s the only way we can keep the kids pacified.”) Though as yet unpublished, young Hendricks, a he-mannish ex-sailor from Oklahoma who smokes a pipe and has a mustache and a crop of untamed black hair, at least looks literary—in fact, remarkably like youthful photographs of the writer he most admires, Ernest Hemingway. To supplement his teacher’s salary, he also drove a school bus.


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“So I did,” said Susan, in a statement made at a later date. “I called the house and let the phone ring—at least, I had the impression it was ringing—oh, a minute or more. Nobody answered, so Mr. Ewalt suggested that we go to the house and try to ‘wake them up.’ But when we got there—I didn’t want to do it. Go inside the house. I was frightened, and I don’t know why, because it never occurred to me—Well, something like that just doesn’t. But the sun was so bright, everything looked too bright and quiet. And then I saw that all the cars were there, even Kenyon’s old coyote wagon. Mr. Ewalt was wearing work clothes; he had mud on his boots; he felt he wasn’t properly dressed to go calling on the Clutters.


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Especially since he never had. Been in the house, I mean. Finally, Nancy said she would go with me. We went around to the kitchen door, and, of course, it wasn’t locked; the only person who ever locked doors around there was Mrs. Helm—the family never did. We walked in, and I saw right away that the Clutters hadn’t eaten breakfast; there were no dishes, nothing on the stove. Then I noticed something funny: Nancy’s purse. It was lying on the floor, sort of open. We passed on through the dining room, and stopped at the bottom of the stairs. Nancy’s room is just at the top. I called her name, and started up the stairs, and Nancy Ewalt followed. The sound of our footsteps frightened me more than anything, they were so loud and everything else was so silent. Nancy’s door was open. The curtains hadn’t been drawn, and the room was full of sunlight. I don’t remember screaming. Nancy Ewalt says I did—screamed and screamed. I only remember Nancy’s Teddy bear staring at me. And Nancy. And running . . . ”

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The Teacherage, which stands opposite the Holcomb School, is an out-of-date edifice, drab and poignant. Its twenty-odd rooms are separated into grace-and-favor apartments for those members of the faculty unable to find, or afford, other quarters. Nevertheless, Susan Kidwell and her mother had managed to sugar the pill and install a cozy atmosphere in their apartment—three rooms on the ground floor. The very small parlor incredibly contained—aside from things to sit on—an organ, a piano, a garden of flowering flowerpots, and usually a darting little dog and a large, drowsy cat. Susan, on this Sunday morning, stood at the window of this room watching the street. She is a tall, languid young lady with a pallid, oval face and beautiful pale-blue-gray eyes; her hands are extraordinary—long-fingered, flexible, nervously elegant. She was dressed for church, and expected momentarily to see the Clutters’ Chevrolet, for she, too, always attended services chaperoned by the Clutter family. Instead, the Ewalts arrived to tell their peculiar tale.


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Holcomb is twelve miles east of the Mountain Time zone, a circumstance that causes some grumbling, for it means that at seven in the morning, and in winter at eight or after, the sky is still dark, and the stars, if any, are still shining—as they were when the two sons of Vic Irsik arrived to do their Sunday-morning chores. But by nine, when the boys finished work—during which they noticed nothing amiss—the sun had risen, delivering another day of pheasant-season perfection. As they left the property and ran along the lane, they waved at an incoming car, and a girl waved back. She was a classmate of Nancy Clutter’s, and her name was also Nancy—Nancy Ewalt. She was the only child of the man who was driving the car, Mr.


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Clarence Ewalt, a middle-aged sugar-beet farmer. Mr. Ewalt was not himself a churchgoer, nor was his wife, but every Sunday he dropped his daughter at River Valley Farm in order that she might accompany the Clutter family to Methodist services in Garden City. The arrangement saved him “making two back-and-forth trips to town.” It was his custom to wait until he had seen his daughter safely admitted to the house. Nancy, a clothes-conscious girl with a film-star figure, a bespectacled countenance, and a coy, tiptoe way of walking, crossed the lawn and pressed the front-door bell. The house had four entrances, and when, after repeated knockings, there was no response at this one, she moved on to the next—that of Mr. Clutter’s office.
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Here the door was partly open; she opened it somewhat more—enough to ascertain that the office was filled only with shadow—but she did not think the Clutters would appreciate her “barging right in.” She rang, knocked, and at last walked around to the back of the house. The garage was there, and she noted that both cars were in it: two Chevrolet sedans. Which meant they must be home. However, having applied unavailingly at a third door, which led into a “utility room,” and a fourth, the door to the kitchen, she rejoined her father, who said, “Maybe they’re asleep.”


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“This is it, this is it, this has to be it, there’s the school, there’s the garage, now we turn south.” To Perry, it seemed as though Dick were muttering jubilant mumbo-jumbo. They left the highway, sped through a deserted Holcomb, and crossed the Santa Fe tracks. “The bank, that must be the bank, now we turn west—see the trees? This is it, this has to be it.” The headlights disclosed a lane of Chinese elms; bundles of wind-blown thistle scurried across it. Dick doused the headlights, slowed down, and stopped until his eyes were adjusted to the moon-illuminated night. Presently, the car crept forward.


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Before saying her prayers, she always recorded in a diary a few occurrences (“Summer here. Forever, I hope. Sue over and we rode Babe down to the river. Sue played her flute. Fireflies”) and an occasional outburst (“I love him, I do”). It was a five-year diary; in the four years of its existence she had never neglected to make an entry, though the splendor of several events (Eveanna’s wedding, the birth of her nephew) and the drama of others (her “first real quarrel with Bobby”—a page literally tear-stained) had caused her to usurp space allotted to the future. A different tinted ink identified each year: 1956 was green and 1957 a ribbon of red, replaced the following year by bright lavender, and now, in 1959, she had decided upon a dignified blue.


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But, as in every manifestation, she continued to tinker with her handwriting, slanting it to the right or to the left, shaping it roundly or steeply, loosely or stingily—as though she were asking, “Is this Nancy? Or that? Or that? Which is me?” (Once, Mrs. Riggs, her English teacher, had returned a theme with the scribbled comment “Good. But why written in three styles of script?” To which Nancy had replied, “Because I’m not grown-up enough to be one person with one kind of signature.”) Still, she had progressed in recent months, and it was in a handwriting of emerging maturity that she wrote, “Jolene K. came over and I showed her how to make a cherry pie. Practiced with Roxie. Bobby here and we watched TV. Left at 11:00.”

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